Showing posts with label PBS. Show all posts
Showing posts with label PBS. Show all posts

Tuesday, July 03, 2007

Genealogy Blogger to Appear on PBS

Genealogy blogger George Geder is featured in an article in today's Santa Fe New Mexican, and will appear on next week's episode of History Detectives.

George Geder said the story began when a total stranger, Angelo Scarloto of Etters, Pa., bought a vintage photograph at an antique shop.

It depicts 26 men in their 50s or older, wearing medals from the Grand Army of the Republic, a fraternal association of Union soldiers. Two men are black; the other 24 are white.

Civil War buff Scarloto “was curious about that because, given the tenor of the times, he thought it unusual for these two African Americans to be in this photograph,” Geder said. [Link]
If I ever appear on PBS, I hope it's on This Old House. I'm going to name my first child Norm, even if it's a girl.

Wednesday, January 17, 2007

Oprah's Roots Are Showing Next Week

Check your local listings for Oprah's Roots, An African American Lives Special, scheduled to premiere Jan. 24 on PBS. You can watch a promo by clicking the link above.

The program features a wealth of previously unseen material, including portions of Professor Gates' original African American Lives interview with Winfrey and new revelations about her family history.

"Our first African American Lives series made for riveting viewing and was a life-changing experience for each of the participants, myself included," says Gates, Alphonse Fletcher University Professor and Director of the W.E.B. Du Bois Institute for African and African American Research at Harvard University. "Now, with an in-depth focus exclusively on my friend Oprah Winfrey, we bring to life in even greater detail the remarkably rich and always inspiring stories of her ancestors." [Link]
Didn't any of her ancestors have uninspiring stories?

Saturday, January 13, 2007

Waiting For The War to Begin

I've been waiting since The Civil War premiered back in 1990 for Ken Burns to turn his sights to World War II. My wait will be over this September, with the debut of The War—"a seven-part, 14 1/2-hour exploration of World War II through the eyes and emotionally charged recollections of 'ordinary' citizens who either served in the trenches of the European or Pacific theaters or who lived through it on the home front." Editors at TV Guide were given a glimpse last week, and Matt Roush had nothing but praise.

No talking-head experts or academics in this vivid history — it’s mostly first-person, focusing on nonfamous (for now) members of four communities meant to symbolize the impact of this “worst war” on a country at once united and shattered by the horrors of combat. (The witnesses hail from Waterbury, Connecticut; Mobile, Alabama; Sacramento, California; and Luverne, Minnesota.)
From legendary to lesser-known battles, through to the liberation of the concentration camps, even the most familiar material takes on a new, devastatingly affecting urgency as narrated by these everyday Americans. It looked to many of us in the screening room like The War could well rival Burns’ breakthrough landmark The Civil War in its simple yet profound artistry and universal appeal. [Link]
You can watch a way-too-short teaser on the PBS website already set up for the series.

Friday, May 05, 2006

The Bunkhouse Beats the Ranch House

Finally, a moment of authenticity on PBS's Texas Ranch House. In the last hour of the series, wannabe ranchero Bill Cooke cheated one his hands out of a promised horse, and then fired him. That led the rest of the bunkhouse boys to quit, leaving Cooke and his puppet-master wife to finish the task of rewriting history all by their lonesomes.

This show of loyalty by the ranch hands demonstrated that they, at least, had learned something from the experience. Sure, they were disrespectful to the women and were sometimes lax in carrying out their duties, but when the bull chips were down, they did their jobs as though the calendar read "1867" and comfortable lives were not waiting for them just off-camera. And when push came to shove, they did what any cowhands in 1867 would have done when the cattle drive was finished and the boss proved himself a cheat and a coward: they abandoned him.

As I suggested earlier, there are better ways to connect with one's ancestors than dressing up in their clothing and acting out their chores. I'm never more in touch with my Finnish heritage than when I'm eating a slice of nisu—a sweetened bread flavored with cardamom. But I have no desire to eat lanttulaatikko—a turnip casserole. Both are authentic Finnish fare, so what's the difference? The nisu is made from my great-grandmother's recipe, and tastes just like the bread I remember eating when I was a kid. We were never forced to eat lanttulaatikko, and trying it now would likely conjure up more nausea than memories.

Likewise, I'm never closer to my Yankee heritage than when I'm working at some necessary task outdoors like bucking wood or (to use my earlier example) fixing a stone wall. It's the necessity of the tasks that brings the desired connection. I don't know that that sort of connection can be manufactured on a TV show, but I suspect that the cowhands on Texas Ranch House felt something like it.

As for the Cookes ... I hope they had a nice summer vacation.

Monday, May 01, 2006

Genealogist Likes Ranch-Dressing

Tonight on PBS is the premiere of Texas Ranch House—the network's latest effort to shuttle people back to live as their ancestors lived, to learn of the challenges they faced, and to bitch and moan about the loss of modern conveniences.

At center stage will be Lisa Cooke, an "avid genealogist" from California who looked forward to adopting an 1867 persona.

I like to think of it as extreme genealogy. Some people want to rock climb. Some people want to jump out of airplanes. But for me to put on the clothing, to step onto the soil of a ranch and really live firsthand for an extended period of time the way they did. That's extreme. It's, I'm sure, every genealogist's dream and certainly mine. [Link]
Frankly, my dream is to live a life free of disease, hard labor, and inconvenience—the same dream, I suppose, my ancestors had in 1867. "Extreme genealogy" for me is transcribing until my hand cramps up, or traversing a ten-acre cemetery in a single afternoon. And if I go down to my great-great-grandfather's lower pasture to fix a stone wall, it's only because a wall needs fixing.

Thursday, February 02, 2006

How Many Cousins is Too Many?

From The Washington (D.C.) Post:

'Lives' Makes a Present of Black Americans' Past

By Chip Crews
Washington Post Staff Writer
Wednesday, February 1, 2006

[snip]

The [PBS documentary "African American Lives"] was the subject of a spirited question-and-answer session at last month's Television Critics Association news conference in Pasadena, Calif., that featured appearances by the host of the program, Harvard scholar Henry Louis Gates Jr.; T.D. Jakes, pastor and chief executive of the Potter's House, a 30,000-member Texas church; astronaut Mae Jemison; and executive producer William R. Grant.

[snip]

Gates said at the TV critics' session that he had little trouble assembling his eight subjects; only one person turned him down. Despite aggressive appeals from the audience, he refused to say who it was, offering only, "I have his two e-mails, one at 7:22 in the evening on a Friday night, and he said, 'I would be delighted.' Then at 7:28 he wrote back and said: 'I thought about it. I changed my mind. I don't want to know where I am from in Africa. I have too many cousins already.'"

[snip]

[Read the whole story]
[tagged: ]

Monday, January 30, 2006

Genealogy is Best Done on Television

From 13WHAM-TV (of Rochester, N. Y.), posted Jan. 30, 2005:

Oprah Winfrey, Chris Tucker Trace Roots on PBS

If ever there was a time to tape American Idol and watch something else, this Wednesday is it.

On second thought, maybe it’s best that the PBS two-part series African American Lives (airing 9 to 11 p.m. Feb. 1 and 8) is stored on your TiVo as a permanent reference guide, as host Dr. Henry Louis Gates meticulously explains the process of tracing one’s family heritage back to its roots in Africa using as examples eight prominent black Americans, including Oprah Winfrey and Bishop T.D. Jakes.

[snip]

“It’s one thing to hear a lecture about the double helix and Watson and Crick. It’s another thing learning that if you swab yourself 20 times on each cheek, in three weeks, somebody will send you back a card saying, ‘Your ancestor came from Nigeria, and more specifically from the Ebo people,’” says Gates of a new program offering buyers of a DNA kit a chance to mail in their swabs and pinpoint their origin.

“Who wants dusty ol’ research in dusty ol’ archives? If you could produce your lineage back to slavery, back to the American Revolution, wouldn’t that be more compelling? I think that that’s what we’ve been able to achieve.”

[snip]

[Read the whole story]
I don't know... I kind of enjoy "dusty ol’ research in dusty ol’ archives."
[tagged: ]

Monday, July 25, 2005

The History Defectives Strike Again

By all rights, I should be happy with tonight's episode of History Detectives on PBS. After all, it was devoted entirely to genealogical research, and even included a case involving someone bearing my own surname—Daniel Dunham, a Loyalist fugitive to Canada.

I can't, though, ignore the horrible advice given tonight to those researching their African-American heritage. At the close of the story about a banjo once owned by an emancipated slave, one of the Detectives explained that tracing enslaved ancestors before the Civil War is so difficult that one should expect to rely on oral tradition. He went on to hold up Alex Haley as a role model for African-American genealogists, and urged viewers to follow Haley's example in exploring and proving their own ancestries.

Problem is, Alex Haley's research methods and conclusions were thoroughly discredited long ago (see Roots Revisited). Oral tradition should not be relied upon except as a last resort. African-American genealogy does require special skills, and knowledge of sources which may be safely neglected by others. Records of property are of merely historical interest to many of us; but to descendants of slaves, whose ancestors were considered property, these can hold vital information on their lineages.

AfriGeneas is a good place to start one's African-American research. See also Cyndi's List of African-American resources, and the following instructional articles at Ancestry.com:

Tuesday, June 28, 2005

History Defectives

History Detectives on PBS is a show I really want to enjoy. The premise is one that should hearten any genealogist: follow four researchers as they use "traditional investigative techniques, modern technologies, and plenty of legwork" to solve mysteries submitted by viewers. In fact, some of the mysteries entail genealogical research—like last year's episode featuring an detained Chinese immigrant, and a case two years ago involving letters written by abolitionist John Brown.

But inevitably the four researchers miss important clues, skip obvious steps, or jump to shaky conclusions. Last night's episode was par for the course. Mystery number one required that they find out whether the uncle of two viewers built the engine for Charles Lindbergh's Spirit of St. Louis. After some false starts, the researcher consulted an aviation expert, who pointed him toward an article published in 1970. The subject of the article was the uncle in question, who, as it turns out, did build Lindbergh's engine.

Granted, the article was published in some obscure journal. But the first rule of genealogy (or maybe it's the fourth or fifth) is this: Find out if someone else has already published an article on the mystery you're trying to solve.

The second mystery solved on the show—concerning a poison pin commissioned by the CIA—was handled pretty well, and was solved to my satisfaction. Since this doesn't fit with my thesis that the History Detectives are nitwits, I will ignore it.

The third was the worst of the bunch. A woman had found a blurry photograph of men on horseback, inscribed with the words "Geronimo saluting a crowd of 100,000 people and surrounded by U.S. soldiers at Ranch 101." The woman supposed that "Ranch 101" was the one owned by her ancestor in New Mexico, which sent the History Detective assigned to the case off to Santa Fe in hot pursuit. There she ran smack into a dead end, but was quickly rerouted by a fellow researcher to Oklahoma, where she discovered that the photograph depicted a staged event at a Wild-West-themed ranch, at which Geronimo was a main attraction.

The mystery was solved, certainly, but one important step was skipped. Try this experiment yourself. Go to Google, and type in the following query:

"Ranch 101" Geronimo soldiers -"history detectives"

(The last phrase needs to be excluded, because of recent publicity about the PBS program.) Only one search result is found: a page from Oklahoma Historical Resources—Miller Brothers' 101 Ranch. Browse the site for a while and you will find another page, which describes how in 1905 the War Department gave "consent to allow the old Apache chief [Geronimo] to be used for exhibition purposes at the '101'." This Googling wouldn't have closed the case, but it certainly should have kept PBS from funding a plane ride to Santa Fe.

Of course, the researchers and their producers might follow false leads intentionally, to heighten the drama and exaggerate the "legwork" involved. The Detectives almost always suggest the most obvious and least convenient place to find information. Have a baseball card you're curious about? Drive to Cooperstown! Wonder if your grandfather's brother was Harry S. Truman's butcher? Call David McCullough! Instead of suggesting good research strategies, the History Detectives are trying to make good television.

And failing.

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