Alex Haley's son William Alexander says that Roots is headed for the Great White Way.
"’Roots’ on Broadway is coming,” says Haley.
No word yet on when production begins, but Haley says it’s in its planning stages. [Link]
Alex Haley's son William Alexander says that Roots is headed for the Great White Way.
"’Roots’ on Broadway is coming,” says Haley.
No word yet on when production begins, but Haley says it’s in its planning stages. [Link]
I remember Roots as an amazing television event. But Fred Silverman and other ABC executives had serious reservations about broadcasting the miniseries back in 1977.
Convinced that "Roots" would be a ratings disaster at best and, at worst, might inflame blacks and start riots across the country, the ABC chieftain decided to run off the entire program over one week ... to get it out of the way before sweeps began.
"We were terrified when we put it on the air," says Brandon Stoddard, then the ABC executive most directly involved in the miniseries. Stoddard says some Southern states would not even show the program for fear of inciting riots. [Link]
Dr. Tony Martin wrote a biography of Amy Ashwood Garvey, the first wife of Back-to-Africa proponent Marcus Garvey, in which he revealed her interest in genealogy.
"In 1946, she was able to trace her ancestry back to Asante in Ghana, similar to Alex Haley in Roots. The similarities to Haley are so great that if she had done it after Haley, I would have thought she plagiarised him," Martin said. [Link]Hmm, I wonder if there could be a more logical explanation for the similarities...
The 30th anniversary of the TV debut of Roots will be marked by an Alex Haley exhibit at the African-American Research Library and Cultural Center near Fort Lauderdale. One of the items displayed concerns the ancestry of a television icon.
[A] letter was sent by Johnny Carson on Feb. 11, 1977 -- just days after Haley appeared on The Tonight Show and presented the talk show host with a book about one of his ancestors who was a slave keeper.
"Thank you for the lovely surprise on the show Feb. 2, the reaction was unbelievable," Carson wrote. "I hope that you enjoyed the evening as much as I did." [Link]
Back before there was a World Wide Web, the first place to look for one's ancestors was in Alex Haley's Rolodex.
During one of his tours of duty as an engineer officer in the British Merchant Navy, Robert Salmon met Alex Haley.
The "Roots" author, who knew what it was like to search for your ancestors, took one look at Salmon and said, "You look just like my producer." "I said, 'Is your producer named Clyde Reid?'" Salmon remembers.
Of course, Haley's producer wasn't Clyde Reid of Union. But the question was another attempt in Salmon's many tries to find his father. [Link]
My introduction to genealogy came in the form of a television miniseries when I was eight.
With the publication of Alex Haley's Roots in 1976, and the dramatization of the book that soon followed, genealogy gained in popularity at a rate which made established researchers shudder. With this rush of newbies into the field, standards of scholarship droppeda phenomenon which echoes to this day across the Internet.
But Haley's own research was thorough and correct: Wasn't it?
In the years after the book's release, it was attacked on all sides by historians, anthropologists, and professional genealogists. One article from 1984, by Elizabeth Shown Mills and Gary B. Mills, gives "The Genealogist's Assessment of Alex Haley's Roots."1 The authors make several crippling criticisms of Haley's methods and conclusions.
1. The Gambian griot (tribal story-teller and historian) from whom Haley learned of Kunta Kinte's family and of his capture was not an official griot at all, and previously had given a different account of the Kinte family to another researcher. The discrepancies included a different name for Kunta's father (Lamin, instead of Omoro). Haley had been warned by a Gambian archivist that "to get a long detailed and sustained narrative from [a village] elder is rare."2On the bright side, Mills and Mills show a connection Haley missed between the Wallers of Virginia and the Leas of North Carolinathe Leas had come from the same corner of Spotsylvania County (the two families may have been related). More exciting, the Waller family of Virginia did own a crippled slave (recall the scene where "Toby" is maimed for his escape attempt), but it was not Toby. It was a man called Hoping [Hopping] George, who was owned by Colonel William Wallerfather of brothers William and John Waller whom Haley believed to have owned Kunta Kinte. As "George" was a name common in Alex Haley's family, and Colonel William Waller also owned a slave named Isabell (Kinte's wife was supposedly named "Bell"), this might have been the true ancestor of Haley.
2. Haley had identified his ancestor as "Toby," a slave in the Waller family of Virginia, who appears in written records in 1768. He had also concluded that Kunta Kinte came from Gambia (based on the origin of words handed down in his family), and that he had arrived at Annapolis, Maryland. Haley looked for a slave ship arriving at Annapolis from Gambia before 1768, and found the Lord Ligonier, which arrived in 1767. He concluded (upon no other basis) that Kinte was aboard this ship.
3. Dr. William Waller of Virginia did own a slave named Toby, but did not own slaves named Bell (Kinte's wife) or Kizzy (their daughter). In fact, Waller's slave Toby disappeared from the record 22 years before Kizzy's supposed date of birth. (Note: The family is called "Reynolds" in the movie.)
4. "Missy Anne" (famously played by Sandy Duncan in the movie) could not have been Kizzy's childhood friend, as Haley writes. She was married with children by the time Kizzy was born.
5. Tom Lea, the slaveowner who Haley says fathered Kizzy's child Chicken George, did not own the other slaves whom Haley says he owned. There are also other, chronological problems with the account of George's escape from his father's ownership.
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